TALA MADANI.
REAR PROJECTION
Opening: April
14 , 2014, at 2:00 p.m.
Date: April 15 - August 24
Exhibition Session: Beyond Figura
In her work, Tala Madani (Tehran, Iran, 1981) reflects on
masculinity, group dynamics, sexuality and power plays, exploring
these topics with humour and impossible cartoon violence.
Madani imagines the bizarre, nonsensical rituals
of the all-male domain. Her paintings of groups of men in their
underwear or sleepwear, blissfully unaware of-and apparently enjoying-their
own predicaments and the company of their fellows, are pervaded
by an absurd sense of exposure. Madani has remarked that she "lets
the subconscious speak".
Her paintings and digital animations depict
the bodily functions of men in intensely private, strangely shared
moments. Beyond the bodily aspect, she says that some of her works
speak of a religious, spiritual or sexual ecstasy. These pieces
are like disturbing, hopelessly tangled webs that critique male
power cliques.
Madani has commented that she uses humour
to "bring everyone's guard down". In her paintings, competitive
violence is reduced to an absurd impotence. The artist also applies
supposedly female colours or patterns to quintessentially male activities.
In one of her recent series Madani depicts
children from a classic learn-to-read series, books that reflect
the conservative gender roles of the 1950s which the artist herself
used to learn English as a teenager newly arrived in the United
States. Madani presents those children alongside her customary male
figures, engaged in behaviour that may be good or evil, thereby
subverting the original illustrations and upsetting the children's
ordered existence through their anarchic actions.
Madani's artworks often seem to have a narrative
quality, and she finds inspiration in the graphic novels of Alan
Moore and Robert Crumb. Her oeuvre also contains numerous art-historical
references that range from Abstract Expressionism to Minimalism,
with nods to Jackson Pollock's drip paintings and Morris Louis's
poured paint technique.
The exhibition is curated by Abi Spinks
and is a collaboration with the Nottingham Contemporary.
Tala Madani, Nottingham Contemporary 25 January
- 23 March 2014
