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.: EXHIBITIONS | |||||||||||||||||
peter campus. video ergo sum
For the visitor, a Peter Campus exhibition is a veritable experience, requiring him or her to activate the artwork and play with it, exploring his or her own image. Without this interaction, the artworks would not exist. Thanks to the use of the live image, the artist’s interactive works from the 1970s are a source of mystery and strangeness, where doubles of the self exist and where one’s relationship to one’s own image is always a problematic one. In 1978, Peter Campus decided to leave his studio and devote himself to photography, working outdoors, with nature as his workshop. When he returned to video in 1996 after an extended hiatus, the medium was now digital, and the equipment much lighter. His video productions from this period were intimate and poetic, and as experimental as before. In 2007, he chose to create “videographs” of landscapes from his familiar environment of Long Island, made from static, unedited shots¬. Campus’s treatment of the images, at the level of the pixel, creates a certain degree of abstraction, engaging the viewer in a new exercise in perception and interpretation. His intense connection to the site chosen and his attention to light, colour and framing may best be seen in his most recent work, created specially for this exhibition. Filmed in a natural setting in ultra-high definition (4K), here the visitor’s gaze intersects with the sensibility and emotion of the artist’s vision. “Video never left me,” claims Peter Campus. It is his medium. video ergo sum. Anne-Marie Duguet
Exhibition organized by Jeu de
Paume (Paris) in collaboration with CAAC:
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