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.: EXHIBITIONS_LIBIA CASTRO & ÓLAFUR ÓLAFSSON | ||||||||||||||
Libia
Castro & Ólafur Ólafsson: Your Country Doesn't Exist They sound out the extent of the socially and legally permissible, and challenge rules and conventions by initially adhering to them. Despite these strong ties to society, their works are generally not participative in the sense that they cause the audience to become involved in an action; rather, they always stem from collaborations with other people and contain implicit calls to active participation in collective processes. Although they touch upon a wide variety of themes, Libia Castro and Ólafur Ólafsson never lose sight of their own particular artistic mission. They address issues that concern us as citizens and subjects, culturally, politically and socially, such as identity, labour, the economy, (illegalized) immigration, the ways in which our cities are constructed and destroyed, political lobbying and the Icelandic constitution. They explore the spaces of what
is socially and legally permissible and defy norms and conventions
by overstepping their boundaries. In Constitution of the Republic
of Iceland, included in this exhibition, they focus on the constitution
that currently governs civic life in Iceland and its reform. In contrast,
that part of identity as citizens that Castro and Ólafsson preserve
in this work is negated in the campaign which lends its title to the
exhibition, Your Country Doesn't Exist, provoking the observer
and alluding to the numerous existing paradoxes that spring from the
concept of the nation as a construct. They first displayed this slogan
in a public place in 2003, coinciding with the invasion of Iraq, and
since then they have been conducting their campaign of denial with
all kinds of formats and variations in different contexts, languages
and countries. Three of the 33 video portraits that comprise the installation
Everybody Is Doing What They Can, created during the collapse
of Iceland's economy, and the slide series Demolitions and Excavations
round out the exhibition.
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